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Bayan construction is done with metal which was originally done with clay or wood. Alongside, a rice and iron paste smeared in a circle on top of the drum. A fine-tuning paste (black coloured) called ‘Syahi’ is applied to the surface. Each stroke is called a Chal.Īn interesting aspect of tabla construction is the way it is tuned to perfection. A tabla player produces various sounds and beats with various wrist, finger strokes and arm actions. Each drum is filmed with two layers of goatskin on the top which are stretched with similar thong lacings. The left drum is called Bayan and is the bass drum. Those cylindrical wooden pieces are dowels used to control the pitch. Tabla virtuosos are often seen hammering small wooden pieces outside the Dayan. This wooden drum on the right is called Daya (aka dahina or dayan) meaning right. Out of the two, the right drum produces high pitch beats. Both drums blend together to produce a melody. Both the drums are played individually while sitting on the floor. The tabla is made up of two hollowed-out pairs of drums - the Daya on the right and Bayan on the left (vice versa if left-handed). It might look simple, but the anatomy of tabla is infused with precision that comes from the careful placement of different components. Musicians like Zakir Hussain, Mahapurush Misra, Alla Rakha Tabla- a closer lookįor those of you unaware, this is how a tabla looks Now, the tabla is famous both inside India and out. In India, the study of tabla is ritualistic and the apprenticeship between a guru (teacher) and disciple still remains a sacred affair. It is after all this sacrosanct collection that defines a Gharana and allows it to draw a lineage of passionate tabla players. Each Gharana would build and pass down their unique repertoire. With its inception in a heritage rich land, tabla become eternalized for its contribution to Indian classical music.Ĭonsequently, this led to a rise in the number of tabla playing families or schools called Gharanas, characterised by their own distinct stylistic approaches. Interestingly, the Mughals were looking for more soothing percussion beats to go with Khayal (music style). It proposes that the tabla, although conceptualised in the 18th-century was invented by Amir Khusru.
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While this is a tale that comes from the 18th-century Moghul court of Mohammed Shah, modern research begs to differ. But behind its tonal sophistication, the history of tabla is very sensational.Īs per the oral tradition, the double-headed drum ‘Pakhawaj’ (barrel-shaped percussion instrument of Indian Classical Music) was sword split by angry Sidar Khan in a drum competition. This instrument with its mild and melodic beats is simply a haven for the ears and contributes to its status in the world of percussion instruments. Tabla is a famous percussion instrument of North India and is a major part of Indian classical music. It has all the reasons to gain unprecedented fame as it is truly music that goes beyond boundaries. Musicians worldwide remain spell-bound by the soul-soothing tabla percussions. Now, with global recognition, the beautiful tabla beats are infused to produce riveting fusion music. This musical instrument is ancient, around 5000 years old and has its roots in the Mughal Empire. Moreover, what’s fascinating to see is how it gained popularity in the West. Simultaneously it births serene imagery where a flautist, sitarist and a classical musician blend their beats along with this percussion instrument to produce angelic music.Īlong with its exotic appeal, there is also an intriguing chapter on tabla history. Indian classical music- that’s probably the first thought that pops up whenever you see someone with a tabla.